80 pages 2 hours read

The Agony and the Ecstasy: A Novel of Michelangelo

Fiction | Novel | Adult | Published in 1958

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Character Analysis

Michelangelo Buonarroti

The Agony and the Ecstasy is a fictionalized telling of the life of Michelangelo Buonarroti. The novel’s version of Michelangelo is a tortured genius, a devout and conflicted spiritual seeker, a stubborn craftsman dedicated to perfection, and a man in constant tension with the political and religious forces of his time. From the beginning of the novel, Michelangelo’s identity is inseparable from his creative drive. Stone presents him not merely as a talented artist, but as someone for whom art is a sacred calling, a vocation that transcends worldly concerns such as religious squabbles between the Medici and Savonarola. Even when Michelangelo takes part in the political machinations around him, he does so in service of his art. The title itself, The Agony and the Ecstasy, reflects this duality: the pain and the joy that Michelangelo experiences through his relentless pursuit of artistic perfection, with little heed paid to anything else.

Michelangelo is defined by his reluctance to compromise, even when it would ease his burdens. His resistance to painting the Sistine Chapel ceiling, for example, is not just about the physical strain or his inexperience with fresco, but about staying true to himself as a sculptor. He wants to work in blurred text
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